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500th Anniversary of Luther's Reformation by Yadgar Asisi's Panorama Luther 1517
Yadgar Asisi's 360 panorama painting Luther 1517 is a "contribution to the dialogue" on the anniversary of the Reformation, says the artist.
The movie which premiered at the 35th Fajr Film Festival earlier this month, centers on the 1980s scandal of France’s HIV-infected blood supplies to Iran
Historical artifacts dating back to the third millennium BC were discovered on the surface and during exploration within the precincts of Dembe Kooh, near the port city of Chabahar, Sistan-Baluchestan Province.
The young German experimental pianist Martin Kohlstedt gave an improvised performance in Tehran’s Rudaki Hall on Thursday 28 February 2017.
Iranian documentary “Janbal” directed by Mina Bozorgmehr and Hadi Kamali-Moqaddam will go on screen at the Next Wave section of the Copenhagen International Documentary Festival – CPH: DOX
A new series of master classes by Italian maestro Damiano Giuranna restarted at the Culture and Art Applied Science University in Tehran on Friday 3 March 2017.
The 11th edition of 100-Sec Film Festival will screen 400 films from 22-24 February 2017 at Tehran's Azadi Cineplex.
The first edition of the International Congress of Jundi Shapur is running at the Jundi Shapur University of Technology in the city of Dezful, southwestern Khuzestan Province.
The renowned Azerbaijani musician and vocalist Alim Qasimov will give a joint concert with Iranian singer Parvaz Homay in Tehran on 9 and 10 March 2017.
A choreography performance by Rabo Band will be staged at Tehran Independent Theater Hall on 25 February 2017 .
Theater actor and director Nasim Afsharpour has staged her adaptation of Neil Simon's 'Barefoot in the Park' at Tehran's Nasser Khosrow Hall.
Director Hesam Kalantari plans to stage a reading performance of prominent Russian playwright Anton Chekhov’s 1890 play “The Proposal” at Tehran’s Khosro Shakibai Hall from 4 to 7 March 2017.
What to Make of MoMA’s Stand on Trump’s Travel Ban/A closer look at what the rehang actually means.
This week, New York’s Museum of Modern Art (MoMA) rehung its prized Modern galleries, swapping out works by greats like Henri Matisse and Pablo Picasso for works by artists from the Muslim-majority countries affected by President Trump’s travel ban.
British Museum is holding a small exhibition of works by Iranian artists titled: "Iranian Voices." The modern and contemporary art of Iran tells a multiplicity of stories. Made by Iranian artists of different generations, the works in this display include a variety of media from collage to artist books and photography. The narratives highlight an engagement with Iranian history from the legendary tales of the Shahnameh or Book of Kings (an epic in verse written by the Persian poet Ferdowsi in about AD 1010) to insights into the politics of recent decades. Between them, they present a series of vivid snapshots of the art and preoccupations of some of Iran’s most significant artists.
In times of uncertainty, art and culture become free spaces to transform cultural differences and political conflicts. “Uncertain States”, the Academy’s main autumn programme, opens up a space of artistic resistance to the loss of cultural memory, and to violence and xenophobia. .
Recently we have seen a growing interest in realism, which for a long time seemed historically passé. But the notion of realism is not as obvious as it seems. One often understands “realism” to mean the production of mimetic images of “reality.”
Tactically, conceptualism is no doubt the strongest position of the three; for the tired nominalist can lapse into conceptualism and still allay his puritanic conscience with the reflection that he has not quite taken to eating lotus with the Platonists.
One of the consequences of globalization and the deterritorialization of financial capital has been that the decisions that affect world citizens are now made by representatives of a corporate oligarchy untethered from the direct interests of nation-states. Secret negotiations and treaties have taken the place of constitutions and other forms of social contract, becoming the dominant method for managing natural resources, transnational security, copyright, privatization, food autonomy, financial fluxes, drug patents, and so forth.
Preserving historical fabrics in Iran in comparison to western countries is a newly established endeavor. This concern grew in Europe from several years ago and synchronous to modernization of societies. Technological developments in the twentieth century, providing the possibility to generate multiple copies of artworks firstly heralded a new age, in which Art, previously available only to the elite, was taken and brought among the ruck.
In the 1960s and ’70s, politicization meant taking a position, establishing and following a political program, taking up armed struggle, putting one’s skills (including art) at the service of the revolution, fighting in the name of the horizon of state socialism, and acting in solidarity with anti-imperialist and decolonization struggles.
Painters may view scenes in a way that's similar to how the world really is: A mishmash of colors, lines and shapes.
Iranian Artists' Pages
Featured Artists
Born in 1936 to a prominent dynasty in the ancient city of Neyshapur, in the province of Khorasan, Iran. Iran Darroudi is a revered Iranian painter, director, writer, art critic and university professor. Her paternal family was among well-known merchants in the north-eastern province, while her maternal family were Caucasian merchants, who immigrated to Iran and settled in Mash-had after the Soviet Revolution.


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Group Exhibition
Group painting, sculpture & Performance Exhibition
Majid Kamrani, Zahra Ghyasi, Maryam Farzadian, Hooman Bayat
Toktam Fazel and Bahram Dashtinejad
24 February- 3 March 2017
Opening Feb 17, 2017
Homa Emami
Selected Artists
Graphic Designer
Painter, Graphic designer
Selected Iranian Film , Cinema , Theater Artists
Theater director and screenwriter
Movie Director
Movie director
Theater Director